Cautiously optimistic forecast

Mar. 17th, 2026 11:44 pm
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It looks like the temperature may reach the high teens tomorrow, and with plenty of sunshine too. If that proves to be accurate, it might be the first day of the year when I can reasonably use the word warm instead of simply mild. I did have a cup of coffee in the pub's beer garden this morning and it was okay, but I had a coat on. Tomorrow I have too many boring things to do to have time for a pub break, but I doubt I'll need a coat at all. :)

Winning here

Mar. 16th, 2026 11:32 pm
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Some of my British readers may be amused at the subject line, since it's a long-running slogan used by the Lib Dems! But that's not what this post is about. I'm actually cheerful because, just for once, I actually won something on one of those "spin the wheel" prize draws Vodafone has about every 15 minutes. Nothing huge, but a £10 Argos voucher certainly won't go amiss! I've got until 29th April to spend it, too, so I can muse for a while on what I might do with it. :)
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The Grand Budapest Hotel (2014) film poster
The Grand Budapest Hotel (2014)
Comedy-drama | Letterboxd 4.2/5 | IMDb 8.1/10 | BBFC 15

I don't particularly care about Wes Anderson per se. I do care about his film here. It's an absolutely wonderful, spectacular, superbly made movie which is both a very human story and a clear look at the rise of fascism in Europe. Ralph Fiennes is amazing in the lead role,¹ and my initial discomfort at his repeated use of blatant US English in a very British accent turned into enjoyable discomfort as I realised that was surely the point. The film is full of brilliant dialogue, the cinematography is stunning, the cast is sensational, and the hotel itself is as much a character as any of the humans. Or indeed paintings. ★★★★★
¹ He didn't even get nominated for the Best Actor Oscar. Boo!
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Happy Saturday!

I'm going to be doing a little maintenance today. It will likely cause a tiny interruption of service (specifically for www.dreamwidth.org) on the order of 2-3 minutes while some settings propagate. If you're on a journal page, that should still work throughout!

If it doesn't work, the rollback plan is pretty quick, I'm just toggling a setting on how traffic gets to the site. I'll update this post if something goes wrong, but don't anticipate any interruption to be longer than 10 minutes even in a rollback situation.

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Note: All my posts on this subject carry the "Sandra Peabody" tag. If you wish to avoid it, then please feel free to ignore posts with that tag.

As you'll know if you've been following my posts for a few months, I have unexpectedly found myself with a deep interest in the abusive production conditions of Wes Craven's The Last House on the Left (1972). In 1997 with a second edition in 2000 (the one I own), David Szulkin's book Wes Craven's Last House on the Left: The Making of a Cult Classic appeared from British publisher FAB Press. It is the only place star Sandra Peabody (also known here as Sandra Cassell) has ever spoken on the record about the movie.

During the chronological chapter following how the film was made, inevitably one segment focused on the pivotal scene where Krug (the lead villain) rapes Mari (a kidnapped young woman). Szulkin asked four people involved for their thoughts. Their quotes were presented without editorial framing. I have added each person's position on set after their name, but otherwise they are verbatim. The square brackets are in the original. "Lucy" is Lucy Grantham, not in this scene but playing Phyllis, another kidnapped young woman in the story.

Wes Craven, director: "You know, the character of Mari took an enormous amount of abuse. I liked Sandra Peabody a lot; I thought she was very pretty, and very plucky... because she was a very young actress, she wasn't nearly as confident and easygoing as Lucy was, and she had become involved in something that was very, very rough. And she hung in there. When the character was raped, she was treated very roughly, and I know Sandra said to me afterwards, 'My God... I had the feeling they really hated me.'"

Sandra Cassell, Mari: "No comment."

David Hess, Krug: "That was a difficult scene, because my style of acting is to go over the edge during rehearsal... to push it as far as I can possibly push it, just to see how far I can go. And then I set my parameters. Once I draw that box, once I have those boundaries, then I'm free to do whatever I want within my character. I think I frightened her a few times... I actually got pretty physical with her. She may have been a little bit intimidated, because she couldn't back off when the camera was running."

Yvonne Hannemann, assistant director: "That one scene was really quite upsetting. I know Sandra had to be consoled; it really got very rough. And I think they [the actors] all got very emotional. Of course, David Hess was just so frightening, that a lot of the acting was sort of method acting."
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2001: A Space Odyssey (1968) film poster
2001: A Space Odyssey (1968)
Sci-fi | Letterboxd 4.3/5 | IMDb 8.3/10 | BBFC U

Without doubt an epic feast for the senses. The visual effects are staggering given the total lack of CGI in the era, with most holding up superbly almost 60 years later. The film is very slow, with long stretches without dialogue book-ending the section most people remember. HAL 9000 might even be the best actual character in this movie. Drops half a star for a combination of the slightly unsatisfying Star Gate section which, through no fault of its own, now looks like a 1980s computer game, and the immensely annoying folks of the "If you don't rate this six stars at least you're Not A Real Film Fan" tendency. But it's still a sensational watch even with those issues, which tells you how remarkable it actually is. 2001 would have blown my mind on a big screen in 1968, I'm sure. ★★★★½
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At least, if you're in the UK. The really interesting low-budget horror from 1962, Carnival of Souls, which you may remember I really liked when I watched it a month ago, is being shown on Rewind TV (Freeview 81) on Tuesday. Note that this channel does not have a catch-up service, so you'll need to record it via your own hardware or use Freeview Play if you want to watch it at a different time.

Chugging

Mar. 10th, 2026 10:51 am
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In Kidderminster Morrisons this morning to get a few things, and there was a chugger standing right in the rather narrow exit passageway. My heart always sinks when this happens, since they tend to ask things like "Would you like to help children with cancer?" and, seriously, what are you supposed to say to that? These days they usually aren't licensed to accept informal donations, so they're trying to get you to sign up to a direct debit – and I will not do that with something I've had sprung on me, no matter how good the cause.

So, I have to harden my heart for a moment and simply walk past without breaking stride. I often feel bad about it, but in all honesty the whole setup feels coercive. In a supermarket particularly so, as many customers will be struggling financially already. I do sometimes try to square the circle by, if I've got time, heading for a charity shop run by a similar charity and buying something from there. But it still puts me off going back to that supermarket for a while.

Film post: The Appointment (1981)

Mar. 9th, 2026 05:06 pm
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The Appointment (1981) film poster
The Appointment (1981)
Horror | Letterboxd 3.5/5 | IMDb 6.2/10 | BBFC 15

A rare and atmospheric British horror here, one that turned up on Talking Pictures TV not so long ago. The cold open shows us a schoolgirl being taken by some invisible force while she walks home from school. Then the action moves to an upper-middle-class family, headed by Ian (an excellent Edward Woodward), a company director who has hired a Ford Granada while his normal car is being serviced. He is also having to miss his 14-year-old daughter Joanne's (Samantha Weysom) concert, something she deeply resents. Wife Diana (Jane Merrow) completes the household.

This is definitely a slow burn: it's maybe 20 minutes before it becomes more than a domestic drama with a slightly disconcerting father-daughter relationship. Then there's a strange night-time scene upstairs involving lots of glances from either side of closed doors, and after that the tension ratchets up, with a quiet supernatural undertone. Sound design is a major feature of The Appointment, with classical music, heartbeat-reminiscent sounds and weird noises that feel like they should have come from the BBC Radiophonic Workshop.

The other key aspect is that of nightmares. Ian is plagued by a recurring dream involving Rottweilers and a car crash. Despite that, there's little gore here, though one brief scene is suggestively nasty. These faster beats alternate with long, lingering scenes that serve to build the sense of unease. As a side bonus, you get an excellent peek into the world of 1981 England, from school corridors to an achingly nostalgic motorway service station. Lindsey C. Vickers never directed another feature film, but The Appointment is surely worth making an... no, even I have more self-respect than that! ★★★★

Note: For UK and Irish viewers, this film is on Talking Pictures Encore until Wednesday. It may be available via the BFI Player in some other countries.
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Time for some music! As it's International Women's Day, it was always going to be a female group, so here's a song I particularly like. The Nolan Sisters are better known as The Nolans, but that name change didn't arrive until 1980, the year after this song reached no. 3 in the British charts. The Anglo-Irish group had a thirty-year career, with a couple of short-lived revivals that didn't eventually end until 2022. The group also did an excellent cover of "Bright Eyes", which doesn't do them any harm in my book!

Square peg, meet round hole

Mar. 7th, 2026 08:00 pm
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A comment in an otherwise unrelated post a little while back made me think about how the American domination of English-language social media is distorting the way people see or even talk about the history of British race relations. I'm not really up to a complex, detailed, dense post on this – and I'm no expert anyway – but I'll try to get something down. I happened to read this point of contrast today and it really hit me:

* Black Americans are overwhelmingly likely (80-90%) to be there because their ancestors were trafficked there as slaves.
* Black Britons are overwhelmingly likely to be here because their ancestors came here as free people.

It's certainly true that many British people, of all races, find the American way of looking at race to be very monolithic. It largely works for the US, because of that statistic. It really doesn't work for the UK, because we simply don't have one background that fits the large majority of our Black citizens. (And because of the importance of class in British discrimination, but that's a post in itself...)

The reason this matters is that the aforementioned US dominance of online discourse provides pressure that people "should" talk about the issue in a way that fits with American sensibilities. But doing that in fact risks erasure of the distinct history of Black people in Britain.

Not just Black people, either. Whiteness in itself wasn't necessarily a shield against enslavement in Europe, something I tend to find many Americans find very hard to process. In fact, possibly as many a million Europeans – including from Cornwall – were taken by Ottoman "Barbary" slavers operating out of North Africa between the 16th and 18th century. Yes, the very same era when Europeans were taking people as slaves from Africa – on a more industrialised scale, absolutely. It doesn't fit into a nice, tidy, American social media-shaped box, does it? But it happened.

If someone's family tree has gaps in it because their ancestors disappeared in those Barbary raids, then they must be able to talk about that without needing to add a "disclaimer" about a completely different atrocity. It is also a form of erasure to make out that anyone who brings up the Barbary trade is basically a white nationalist under the skin. Some indeed are, but many are simply talking about their own family heritage. Context matters. Once again, the standard US framework just doesn't work here, and it's harmful when people (often, it has to be said, white American liberals) try to force it to.

One final point, and this returns to Black British history. For Black History Month – which is in October here – in 2024, a poll was taken which among other things revealed that about twice as many British people (of all races) knew about Rosa Parks and the Montgomery bus boycott as knew about the Bristol bus boycott which happened in their own country and helped bring about modern equalities legislation. I only knew about it myself because I have family roots in Bristol. But again, it bothers me that we've made a US event our "standard" example when the background to that boycott – beyond the shared central factor of institutionalised racism – was really quite different.

Film post: Blade Runner (1982)

Mar. 6th, 2026 08:44 pm
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Blade Runner (1982) film poster
Blade Runner (1982)

Since I know all you Blade Runner fans need to know this, I was watching the Final Cut. Anyway, this was a good experience for the most part, if not "BEST FILM EVAR" level. The city was really interesting since I love world-building in films, and you could imagine spending time there if you could hack the weather and the general dystopia. Harrison Ford was very solid as Deckard, and I really grew to enjoy the 1980s notion of what future tech would be. No smartphones or LCD screens in 2019, folks, you heard it here first! I dunno, maybe they'd just have all seized up in the rain.

I mean, I do kind of get the feeling that Ridley Scott thought up this incredible setting and then asked himself, "So, what about a plot?" because what I get from it is not massively original even for 44 years ago. Replicants, designed with a built-in expiry date, going rogue, your friendly neighbourhood blade runner (who amusingly cannot fight for toffee) has to sort them out. Aged less well in a few points, not least a thankfully short scene with Rachael that sits uncomfortably with today's views of consent. I get that it's playing on noir films that did similar, but still.

Okay, to the "Tears in Rain" speech. It was... okay, I guess. I suspect having seen it everywhere for decades has robbed it of the power it probably had in 1982, since the underlying concept is still worthwhile. The movie's slow pace is nice for the most part, especially in the city driving shots. That bloody ESPER image enhancer scene went on and on and on, though. Vangelis's music works well, and seeing big ads for Pan Am is amusing more than distracting. Oh, and there's a unicorn, so yay for that. ★★★½

A few hours in Ludlow

Mar. 5th, 2026 09:15 pm
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Crocuses, Jubilee Gardens, Bewdley
Click for a larger, sharper image

Another fine day today, and I had enough time to get the bus out to Ludlow. Usually a pleasant experience, and so it was today. I just pottered around the town, had a sausage sandwich in Aragon's and a pot of tea in Costa, and didn't really do a lot else. There are three separate traffic lights on the A4117, which seems a bit much and is not doing good things to the bus timetable, but fortunately time wasn't of the essence. The photo is actually from Bewdley a few days ago, because I kept forgetting to post it and I wanted to get it done before the idea of crocuses being out became completely ridiculous!

A discussion in the comments of an older and only tangentially related post from a bit ago has really got me thinking. I don't want to say any more here at this stage, because I hope to make a post about the underlying topic of that discussion. Suffice to say for now that it's the kind of thing I would not even try to post on social media these days, especially not US-dominated social media (which it is), because it absolutely requires me to say things that are true but also massively open to misinterpretation about my motives. That's all you're getting for now!

I managed to find some Zero brand sugar-free dark choc digestives, which I was very pleased about. It's not that easy to find sugar-free treats now, what with the shift in thinking against the idea of "diabetic food" over the last few years. While that in itself is understandable, it has led to quite a few treats that I liked on their own merits disappearing. I still mourn for Thorntons sugar-free mint chocolate truffles and Boots sugar-free chocolate seashells. Ah well. At least I have my biccies!
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Title: Back to the Future - Chapter 1 (out of ??)
Author: [personal profile] little_cello and [personal profile] ferntree
Rating: White Cortina
Pairing: Sam/Gene
Word Count: 2751 (out of ??)
Summary: In 1976, Gene falls into a coma. When he wakes up, he's in a Manchester he doesn't recognise, with a Sam Tyler who doesn't recognise him. In 1976, Sam is left to pick up the pieces. To solve a case linked to Gene's past, and to bring back his partner.
Chapter Summary: A special day... and then, a bad day.
Notes: OKAY. So. Long story short (heh), this is a stitched-together version of an RP that Fern and I wrote together 5 years ago. I'm in the process of stitching it together and rewriting parts so that it flows as a cohesive fic, which has been a very fun process so far. I've already posted several chapters over on AO3, but I decided to cross-post them here as well. 🧡 Generally speaking, Gene's PoV is written by Fern, and Sam's PoV is written by me, and any "NPC"/descriptive writing can be from either of us. I really hope you enjoy, because we're both of the opinion that this is the best story we've ever done together!!

Chapter 1 below! )

Not a bad day at all

Mar. 4th, 2026 11:48 pm
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We didn't get particularly close to the forecast 17 °C today, but with the strengthening early spring (in meteorological terms) sunshine, just creeping into the teens with the sun out made it really pretty pleasant. I didn't have the spare time to go anywhere interesting, but even walking down the road was much nicer than in all the grey and drizzly weather we've had for so long. They're even finally taking the flood barriers down in town! Admittedly about a week later than everyone expected, but it's a nice sign of progress, at any rate.

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